Module 3: Basic Performance Techniques
Study Time: 6 Hours Goal: Master the fundamentals of sound production: breathing, embouchure, and first tones.
🌐 Language: 🇰🇷 Korean | 🇹🇼 Traditional Chinese
3.1 Physics of the Shofar
Unlike a trumpet, a Shofar has no valves. All pitch changes are controlled by your lips (embouchure) and air speed.
- Acoustics: It acts as a conical bore amplifier. The shorter the horn, the higher the pitch generally.
3.2 Breathing Technique
“Low and Slow.”
- Diaphragmatic Breathing:
- Do not raise your shoulders.
- Expand your belly and lower back like a balloon.
- Support:
- Engage your core muscles to create steady air pressure (compression).
- This is the “engine” of your sound.
3.3 The Embouchure (Lip Formation)
- Placement:
- Side vs. Center: Traditionally, the Shofar is blown from the right side of the mouth (to let the words of prayer come from the center). However, center is also acceptable if needed.
- The Buzz:
- Tighten the corners of your mouth.
- Vibrate the center of your lips (like spitting a seed).
- Tip: Practice buzzing without the Shofar first.
3.4 Producing Your First Sound
- Place the mouthpiece firmly against your lips (seal the air).
- Inhale deeply.
- Blow the “Buzz” into the small hole.
- Troubleshooting:
- Air hissing? → Press harder or tighten lips.
- No sound? → The hole might be blocked by your lip. Open your aperture slightly.
3.5 Practice Routine (Week 1)
- Long Tones: Hold a steady note for 5-10 seconds.
- Articulations: Practice stating notes with “Tah” or “Too.”
- Rest: Rest as much as you play to avoid lip fatigue.